London Street Gangs Blog Arthur puts him in the knights' coaching plan, not figuring out that Mordred is there to destroy the Round Table ("Seven Deadly Virtues"). His servant, Merlin (Simon Lloyd Roberts), is still active and now serves below Arthur's successor to the throne, King Vortigern (Hefin Wyn). Lancelot throws off the suffocating helmet and fights much far better on foot than on a horse like a true knight is supposed to. That is in all probability what the film really should have completed: free itself from all these suffocating cinematic and moral conventions. The next day, Lancelot is feeling regret for what he has accomplished with Gwenhwyfar and Arthur. Malagant dies on the throne he preferred, killed by Lancelot with Arthur's sword. A couple of years later Arthur is angry since one particular man defeats his most effective knights. Specifically touching is the ending (which can not be found in the Lancelot en Prose), when Lancelot and Guinevere meet for a single final time just after Arthur's death. As I reconstruct the story, a settlement referred to as Avallonia already well-known as a British Elysium, intimately associated with the Arthurian cycle, and a renowned centre of Christianity, was occupied, about 500, by a band headed by Vitrinos Glast, who had migrated from Manau Guotodin, the littoral location involving the Firth of Forth and the Aln, along the west coast through Glassonby and Glasson to Wells. Lancelot poses as a messenger to Malagant only to escape with Guinevere and return her to Camelot. It would appear that the Arthur depicted in the film is based most closely upon Ambrosius Aurelianus, the Romano-Briton who fought against the Saxons in the 5th century, and was almost certainly the leader of the Romano-British at the Battle of Mons Badonicus (Mount Badon).

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